‘PLH’ heralds a new era for the Bremen-based rapper of the same name. After making her mark on the scene in 2022 with her debut album ‘So nämlich’, she is now back with her second album. Not only has she scrapped her old name ‘Presslufthanna’, she is also venturing into new genres. Having clearly demonstrated in the past that boom bap suits her just as well as Adidas joggers and long nails, PLH is now back with double the energy and creative freedom. We can expect everything that the Bremen native enjoys: Miami bass, trap, Memphis and dark boom bap are ready to be taken apart by PLH. As usual, she remains uncompromising and authentic, giving us a deep insight into the last few years of self-reflection and development. With beats from Traya, Spaze Windu, Classic der Dicke, Alejo and Tombs Beats, she brings together the crème de la crème of the producer scene and provides the perfect foundation for taking us into her world. And in it, there is a lot of anger towards machismo, disgust for industry drivel and the occasional tongue-in-cheek dig.
This post is also available in: English
